Seven Japanese Tales Paperback – International Edition, October 1, 1996

Master storyteller and Japanese writer Junichiro Tanizaki thrills the reader in the meaty short story collection "Seven Japanese Tales." Simultaneaously very "Japanese" and yet universally appealing, these tales affected me deeply.The first brilliant story, "A Portrait of Shunkin" tells the story of a beautiful, sadistic blind woman and her "student" Sasuke. Their relationship is complex and lovely; part Master/Slave, part lovers, and part friendship. The subtle eroticism of this relationship is striking; we can almost feel the desire Sasuke has for the petite, blind, yet strict Shunkin. Tanizaki explores what to Western readers seems like abusive behavior, and makes the Eastern way of thinking crystal clear with these words by a master musician when discussing his strict, sadistic teacher: "Except for that beating," he would say with tears in his eyes, "I might have spent my whole life as a run-of-the-mill performer."This first story, "A Portrait of Shunkin" alone is worth the price of the book. The ending is stunning and I would never spoil it here.There is more greatness here. The third story "The Bridge of Dreams" may be the most strangely erotic piece of writing I have ever read. Full of beautiful Japanese poetry in which has intensely erotic undercurrents, it will change the way you think about relationships. Again, it has a uniquely Japanese perversion to it which is tasteful yet arousing at the same time.Everything is literal and metaphorical at the same time in this tale. And a poem like this one means more than it appears: "The stony Shallow Stream- So pure that even the moon Seeks it out to dwell in it."This is magnificent writing.One of the shortest tales, "The Tattooer" is one of the most vivid. Again, the pages crackle with intense, yet subtle eroticism.The final long story, "A Blind Man's Tale" is a epic within 50 pages of fighting Samurai and fiefdoms in feudal Japan. Tanizaki brings this potentially dry history to life, revealing the unique vision of the Eastern thoughts on battle and honor.This may be the most interesting, best set of short stories I have read in the last 20 years. I am eager to read more of the great Tanizaki.

Tanizaki is quite unlike any other. Though like many Japanese writers there are traces of Soseki in his writing, he differs from the rest in the meticulous cruelty of his stories. Every one of these tales has something incredible about them. A Portrait of Shunkin is a story that should be read by everyone: Sasuke's excessive devotion to Shunkun is always deeply troubling, at times annoying, and often strangely moving, especially at the end. Any lover of Poe will find something akin, though not nearly as good, in the story Terror. The Bridge of Dreams is a moving but disturbing account of a boy's longing for his mother and his relationship with her replacement. The Thief is amazing, with a fun-filled-twist at the end. Yet the story I enjoyed most was A Blind Man's Tale, but then I enjoy almost everything about that time in Japanese history with Nobunaga and Hideyoshi and Tokugawa, but to have a blind singer as narrator and tell of his love and devotion for the infamous Lady Oichi, with the famous happenings of the Sengoku as a backdrop, was simply genius. This is a must read.

Bottom Line FirstJunichirô Tanizaki’s Seven Japanese Tales are a collection of works from 1910 to 1953. They range in length from a few pages to near novella length. A common theme is the friction and conflicts between older Japanese traditions and the influence of modern sensibilities. His writing ranges from the matter of fact to the evocative. Tanizaki has a taste for the erotic. Where it appears in this collection is in a horrific story the Tattooer. In only ten pages we are exposed to the Japanese version of the demi monde. Its climax is a horrific attack on a younger female of that society who ends the story by accepting and returning this attack. These stories are worth the read. They stand alone as examples of the short story whatever there relation to transitions in Japanese literature from the pre-World War II era into the middle of the 20th century.The Seven Japanese Tales begin and end with long stories with blindness at their center. In the first a woman from a wealthy family is struck blind at an early age. Her family provides her with a full time attendant and indulges her. She becomes a famous musician and teacher and her extremely loyal attendant follows her into music and even into blindness. In the last story is another blind person. This time a musician/masseuse and servant member to a famous, historic household. This time the story is a nearly historic retelling of the last of the warlord years that ended with the rise of the Tokugawa Shogunate.The obvious contrast in the stories is the entirely domestic and in the home story arc in the first story and the near total focus on the schemes and betrayals across titled households in the last. Most of the stories between these two tend to the narrower view. A third story is the events of one afternoon between a well to do man and his mistress. She is focused on adorning herself in the styles of Western afluance while his struggle is with his inner neuroses and failing health.The easy analysis is that these stories are like this last one, about east meet west. I am not a student of Japanese literature in general or Tanizaki in particular. My sense is that Tanizaki was initially interested in writing modern stories rather than traditional ones. By the end of the tales here collected this would have been a completed exercise for him and for Japanese literature. From that point of view the value in these stories is how well they stand absent any question of the traditional verses the modern or Japan versus the west. I think they read as well written stories.

Swept away with the narrative and the culture strangeness. It's like Tanizaki is sitting with you and telling you these stories.

each tale has its own mystery

Excellent

Please credit the brilliant translator and compiler of this collection, Howard Hibbett.

The author of The Makioka Sisters, Junichiro Tanizaki, writes seven stories of human relationships. Loving, twisted, but very human relationships. Like most Japanese stories, his focus is on the characters not the plot. The characters tell us tales of horror, beauty and incest. Tradition and history mix with fiction and fetishism, making for interesting yet dark stories that will keep you reading till the last page is turned. Not for children or for adults who are easily upset.

This is a wonderful read. I look forward to reading more from this author

Ever since I read my first Tanizaki, 'The Strange case of Tomoda and Matsunaga', I made up my mind to read more of his stories soon. In that story, he intriguingly explored the fascination of the east towards west with puzzling characterization. The seven tales featured in this volume span half a century of Japan's prolific literary master Junichiro Tanizaki. Slow and simple narrative in his most of the stories here moves ahead with shifting point of views, complex characters, interesting nuances and intriguing surprises. And reading these stories made me hooked to explore more of his fiction..Tanizaki's eye of observing and picking detailing of human psychology is just extraordinary, especially in his women characters with ambiguity and deception as their personality traits. The finest and the most absorbing stories of this volume are 'A Portrait of Shinjun' and 'The Bridge of Dreams', which reflect both style and the traditional culture of Japan. But at the core Tanizaki beautifully explored the boundry of sexual politics that running hand in hand with intimate emotions. The shortest one, 'The Tattooer' is an elegant sadomasochistic fable of artist in search of his masterpiece on skin of perfect woman. Tanizaki also explored the inner dark secrets of human mind with beautiful psychological introspection and sometimes as satire too! 'The Thief' seems like an ordinary story of whodunnit among teenage friends sharing common dormitory, but as it moves ahead and reach towards climax makes us feel moving confessional account of biting social satire that includes us as readers too! "But Perhaps you won't believe me either. Unless...You happen to belong to my own species," stated the protagonist of the story..Shocking in content and yet lyrical in its beauty, these stories surely represent some of the finest work of one of Japan's greatest and prolific modern writer.

Great read and the book arrived in good condition.

絶版になっていて、中古でしか買えません。表紙がとても素敵です。英語は堪能ではないので、ざっくりと読んでみた感想ですが、英訳の方がさらっとしすぎていて谷崎の良さがなくなっているような気がします。この書籍は「青い花」などマイナーな短編小説も収録されている貴重な一冊かと思います。最近、学会ではよく日本文学研究の国際化が求められていますので、谷崎作品の英訳本がどんどん増えて行ってほしいなと思います。

Thank you