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🎻 Unlock Bach’s timeless cello mastery with the edition everyone’s talking about!
This paperback performing edition of J.S. Bach’s Six Suites for Violoncello Solo (BWV 1007-1012), edited by August Wenzinger, is the go-to choice for cellists seeking authentic early music interpretation. Praised for its clear, uncluttered printing on high-quality paper, it holds a 4.8-star rating from over 400 reviews and ranks among the top sheet music scores worldwide.
| Best Sellers Rank | 50,549 in Books ( See Top 100 in Books ) 373 in Scores, Songbooks & Lyrics 741 in Music Styles |
| Customer Reviews | 4.8 out of 5 stars 435 Reviews |
L**R
I would recommend this
This edition was recommended to me and I'm delighted with it. The printing is clear, uncluttered and on good quality paper.
B**W
Nice quality
Good quality paper, nice print, very good copy, recommend!
A**S
Perfect
Perfect. Nothing else to say.
P**E
Nice quality
Purchased this for are granddaughter, she loved it.
E**R
Excellent version
Excellent versions
G**A
A Must!
This book arrived on time and was just as described - brand new. It was well wrapped. It is a collection of suites intended for use over many years as my son continues to play his beautiful cello.
P**.
Five Stars
Well-printed and easy to read.
A**S
Five Stars
Good edition of this wonderful set of suites.
J**S
I would recommend this To a friend
The quality surpassed my expectations. Not only is this book well made, but the shade of blue is gorgeous. I would recommend this To a friend.
D**D
Très bien
Produit reçu dans les temps et les partitions sont de très bonnes qualités
�**�
Bewertung Noten (Cello)
Super Notensammlung Gute Papierqualität
I**A
excelente
excelente
A**X
Pretty good edition
Now, I can't speak to the usefulness of the finger and slur markings as I'm a saxophone player, I can say that the book is well put together. Easy to read with the yellowish pages as a backdrop for the ink. The paper is also a little heavier, has a nice and fairly sturdy (for paper) cover. The only complaint I'd make is the number of markings on a few of the movements. I bought this originally to avoid a lot of markups since I'd be transposing this as I play on Bari Sax for a college recital, but so many of the 'alternate' slurs overlap and with the original markings and some of it gets really messy to read. The only one I can think of immediately would be the Allemande from Suite No. 1 in G. Though that's partly cause I'm not reading this for Cello so take that as you will. Otherwise, it's an excellent copy and worth the price.
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