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📸 Elevate your vision with ultra-wide brilliance and pro-level speed!
The Sigma 213965 14-24mm F2.8 DG DN Art lens for Sony E-mount is a professional-grade ultra-wide zoom designed for demanding photographers. Featuring a bright F2.8 aperture, advanced Hyper Sonic Motor autofocus, and dust- and splash-proof construction, it excels in real estate, landscape, and low-light photography. Its Nano Porous Coating enhances image clarity, while the dome-shaped front element requires rear-slot filters. Ideal for creatives seeking expansive perspectives with reliable performance.
| ASIN | B07V49YHFV |
| Best Sellers Rank | #242 in SLR Camera Lenses |
| Brand | Sigma |
| Built-In Media | Camera Body & Lens |
| Camera Lens | 24mm |
| Camera Lens Description | 24mm |
| Color | Black |
| Compatible Camera Models | Sony E-mount cameras |
| Compatible Camera Mount | Sony E |
| Compatible Devices | cameras |
| Compatible Mountings | Sony E |
| Customer Reviews | 4.3 out of 5 stars 448 Reviews |
| Exposure Control Type | Automatic |
| Focal Length Description | 14-24 millimeters |
| Focus Type | Auto/Manual |
| Global Trade Identification Number | 00085126213657 |
| Image stabilization | Optical |
| Item Type Name | Digital-slr-camera-lenses. |
| Item Weight | 795 g |
| Lens | Wide Angle |
| Lens Coating Description | Nano AR Coating |
| Lens Design | Zoom |
| Lens Fixed Focal Length | 24 millimeters |
| Lens Mount | Sony E |
| Lens Type | Wide Angle |
| Manufacturer | Sigma |
| Manufacturer Part Number | 213965 |
| Maximum Aperture | 2.8 millimeters |
| Maximum Focal Length | 24 millimeters |
| Media Type | ProductImage |
| Minimum Aperture | 22 |
| Minimum Focal Length | 14 millimeters |
| Minimum Shutter Speed | no aplica |
| Model Name | 213965 |
| Model Number | 213965 |
| Model Series | Art |
| Number of Diaphragm Blades | 11 |
| Number of Items | 1 |
| Number of Packs | 1 |
| Photo Filter Factor | 1 x |
| Photo Filter Size | 1 millimeters |
| Real Angle Of View | 114.2 degrees |
| Screen Size | 3 inches |
| UPC | 085126213657 |
| Unit Count | 1 Count |
| Video Capture Format | MP4 |
| Video Capture Resolution | 4K (3840 x 2160) |
| Warranty Description | 4 |
| Water Resistance Level | Water Resistant |
| Zoom Ratio | 1.7:1 |
H**Y
Good overall but I dislike the dome shaped front glass
I picked up this 14 mm f/2.8 lens specifically for real-estate work, and while it delivers on my core needs, there are a few trade-offs to consider: 1. Optics & Aperture Sharpness at small apertures: I shoot real estate at f/8–f/11 to maximize depth of field, and the lens is rock-solid in this range. f/2.8 headroom (overkill?): I rarely, if ever, open past f/8—so the extra low-light capability is largely unused. It’s impressive, but not essential for typical property shoots. 2. Ultra-Wide Utility Tight spaces: The 14 mm field of view is invaluable when framing narrow bathrooms or compact kitchens. Distortion control: Like most ultra-wides, you’ll need to correct barrel distortion in post. This lens is better behaved than many others at 14 mm, but still benefits from a quick profile-correction. 3. Build & Handling Robust construction: Feels solid on a tripod, and the focus ring is smooth. Size & weight: It’s a bit larger than mid-range zooms, but balances well on a full-frame body. 4. Filter Compatibility Dome-front design: The bulbous front element prevents screw-on filters. Rear-slot filters only: You must invest in drop-in filters—more costly and less convenient than traditional screw-ins. 5. Value & Alternatives Consider your needs: If you never need f/2.8, a smaller or slower ultra-wide (e.g., 14 mm f/4 or 16 mm f/4) could save hundreds without sacrificing image quality at working apertures. Long-term investment: That said, if you anticipate low-light or astrophotography in the future, the extra speed and optical quality will pay off. Bottom Line This lens absolutely nails ultra-wide framing for real-estate interiors—but its f/2.8 speed and dome-front element add cost and complexity that many property shooters won’t fully utilize. If you prioritize maximum field of view and plan to correct distortion in-post, it’s a solid choice—just be prepared to spring for specialty filters or opt for a more budget-friendly alternative if you don’t need the extra aperture headroom.
K**R
IDEAL LANDSCAPE AND COASTAL
Though it is a good cosatal and seascape lens, you WILL need the back filters for any effects. I am waiting for clear skies to put it up with astro photography. Hopefully my Haider set will arrive on time. I cannot use my Kase Armour filter kit with it as there are no front thread. But overal, I am satisfy.
J**S
Great for real estate photos
Yes, was using the 16-35mm F/2.8 Sony G - Master for years now and wanted to try to get a lens that will help with those tight shots. 99% of my jobs are for Commercial Real Estate but occasionally I do shoot a residential home. Great for those tight Bathroom shots, I feel that it just as sharp as my Sony 16-35 while doing this type of work. I did have my 2nd use it for a wedding to get those wide space shots of the seating area and wedding ceremony. They looked very nice and sharp. I used this on a Sony A1, the focus seem very responsive, if you use this for landscape then there are 3rd party filter holders out there. The lens does have an inter spot to put some filters between the lens and sensor. I did purchase a set of them but haven't had time to use them.
P**.
NO COMPREN ESTE LENTE
Si tienen la oportunidad de comprar este lente , desaprovéchenla , lo compré en marzo 2025 y ahora Noviembre 2025 no funciona con mi cámara A7RV , dejó de funcionar y no tienen soporte ni nadie que te ayude . Lamentable
N**N
Wide lens
This lens is super wide. Arrived on time and was undamaged. I'm using it on an A7Riii and I've had no issues. Auto to manual focus button is solid and easy to operate without looking. I love it!
W**H
Good lens but didn’t turn out how I hoped
Lens is well built but was a bit too heavy for my liking.
J**Y
Great for inside work
I bought this for a corporate job I had. Inside a plant and this lens worked great. The wide angle and tact sharp focus was Awesome
K**N
I love this lens
This is the best wide-angle lens I've ever used. I use it for real estate photography, and it is by far the best I've used. If I make sure it's level for photos, there is very little distortion, and I don't even have to fix the vertical lines in PS. It's big and heavy, and completely worth it.
U**.
Teşekkürler
Aras foto her zamanki gibi özenme kargolamış ve telefonla da iletişim kurulduğunda sizi her konuda yardımcı oluyor. Daha önceki ürünleri de Aras fotodan almıştık çok memnunuz.
S**L
MUY BUEN LENTE
Nos ha funcionado perfecto, la calidad de imagen es muy buena, logra una apertura muy amplia sin deformar la imagen como sucede con los ojos de pescado. Los materiales de su fabricación de buena calidad.
K**N
Sharp
Faster and sharper lens
B**U
Einfach Spitzenmäßig!
Kurz und knapp... mein Lieblingsobjektiv. Neben diesem besitze ich noch das Sigma 24-70 f2.8 DG N Art. Die Schärfe ist wunderschön, der Autofokus sitzt zuverlässig. Ich liebe es! Meine klare Kaufempfehlung.
R**Y
An amazing lens
I bought this lens for some landscape work from the air and I was veryimpressed with the results. It was used with my Sony A7R V and together a real power house combination.
Trustpilot
3 days ago
1 month ago