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A New York Times bestseller, Christopher Marley’s Biophilia is a collection of his creative art made from the natural world and wildlife. Christopher Marley’s art expresses his passionate engagement with the beautiful forms of nature. Beginning with insects and moving on to aquatic life, reptiles, birds, plants, and minerals, Marley has used his skills as a designer, conservator, taxidermist, and environmentally responsible collector to make images and mosaics that produce strong, positive emotional responses in viewers. Marley has a brilliant eye for color and pattern in different natural objects, and he expertly captures the deep relationships among them. Biophilia (literally, “love of living things”) is a must-have for nature lovers, designers, artists, craftspeople, and anyone looking for visual inspiration in the arts. “Christopher Marley’s Biophilia is much more than a sumptuous coffee-table pleasure. It is also an elegant manifesto meant to nudge us off our couches and easy chairs and out the door.” — New York Times “Nature can seem messy, chaotic, even frightening, but in Christopher Marley’s world, it’s a bounty of useable materials that can be infinitely organized and aestheticized.” —Slate Review: A delightful photographic examination of the beauty of nature highlighted through clean, pleasing arrangements - I’ll start by admitting my bias. I have been a fan of Christopher Marley’s work since I read his first book, Pheromone. In the years since, I have been lucky enough to add a few of his compositions to my personal collection, and my admiration for his work has only grown. Compared to Pheromone, this book is longer and about half the price. The pages of Biophilia are not as thick as in Pheromone, but still have a luxurious texture and turn without sticking. The photographs are printed in glossy, true-to-life color. This large, heavy book would make an engaging coffee-table centerpiece. The book begins with a thoughtful introduction from Marley. He describes his own inspiration while also exploring the relationship between mankind and the natural world. While somewhat philosophical, the light tone prevents the text from reading as pretentious. The photographic portion of the book begins with a section on insects, probably my favorite section of the book. Here, the often-reviled “creepy-crawlies” of the world are showcased as things of beauty and wonder. This section includes simple compositions like one highlighting the iridescence of a single cuckoo wasp and complex compositions like the aestetica mosaic which is utterly captivating as the seemingly unrelated colors and lines of myriad insects come together in one harmonious arrangement. The next section of the book includes sea creatures from Marley’s Reclamation line (harvested from animals who have died in the wild or in captivity—none of the subjects were killed for the sake of art, but rather, they were elevated to immortality through art following their natural demise). The first photograph in this section is of a single octopus tentacle that is simultaneously haunting and beautiful, the movement visualized in its arrangement mirroring the flow of the seas but also the inherent struggle of life. Later in this section, a banded cat shark composition almost swims off the page glistening from the glossy printing as if still wet. The next section includes Marley’s reptilian compositions. The winding, coiling bodies of the snakes in these pages are mystifying—like anceint Celtic knots. Again, creatures that are typically regarded with fear are here honored as harolds of nature’s enduring beauty. A veiled chameleon in this section is arranged in such a life-like pose, that, in another context, I would think it were alive and stalking some unaware cricket. Marley next addresses the beauty of birds. Some mounts in this section feature the breath-taking beauty of fully extended wingspans while other compositions allow the reader to focus on the nearly microscopic beauty of a single feather. Mounts of finches (reminiscent of Darwin) in this section would be at home in an art museum or a museum of natural history. Minerals and fossils are highlighted in the next section. While still lovely, this is probably the least engaging chapter. While Marley’s signature use of color and symmetry are still present, the life, or imitation thereof, is absent from these pieces. The final section of the book, Unity, is a fascinating departure wherein Marley juxtaposes two pieces that, while completely different have a singular similarity. Birds next to minerals showing the same colors; flowers next to shells with the same shape. Here, the ideas of Marley’s introduction are illustrated through the photography of his work. The connectedness of nature becomes increasingly evident as one turns through the pages of this chapter. Biophilia is more than a glorified catalog. It is a photographic journey of the connectedness of natural forms—a declaration of unity. Marley’s knack for highlighting the inherent beauty of his subjects elevates the mundane to art and the rare to true inspiration. Biophilia is a delightful book that will instill the reader with a sense of wonder. Review: Gorgeous - I got this for my sister's family for Christmas. It hss something for everyone. Anyone into biology will love it. Symmetry is a big part of the visuals. For the more artistic there is form & color. Beautifully printed with a sturdy binding.






























| Best Sellers Rank | #157,453 in Books ( See Top 100 in Books ) #51 in Museum Studies & Museology (Books) #88 in Biology of Insects & Spiders #237 in Plant & Animal Art (Books) |
| Customer Reviews | 4.8 out of 5 stars 180 Reviews |
J**D
A delightful photographic examination of the beauty of nature highlighted through clean, pleasing arrangements
I’ll start by admitting my bias. I have been a fan of Christopher Marley’s work since I read his first book, Pheromone. In the years since, I have been lucky enough to add a few of his compositions to my personal collection, and my admiration for his work has only grown. Compared to Pheromone, this book is longer and about half the price. The pages of Biophilia are not as thick as in Pheromone, but still have a luxurious texture and turn without sticking. The photographs are printed in glossy, true-to-life color. This large, heavy book would make an engaging coffee-table centerpiece. The book begins with a thoughtful introduction from Marley. He describes his own inspiration while also exploring the relationship between mankind and the natural world. While somewhat philosophical, the light tone prevents the text from reading as pretentious. The photographic portion of the book begins with a section on insects, probably my favorite section of the book. Here, the often-reviled “creepy-crawlies” of the world are showcased as things of beauty and wonder. This section includes simple compositions like one highlighting the iridescence of a single cuckoo wasp and complex compositions like the aestetica mosaic which is utterly captivating as the seemingly unrelated colors and lines of myriad insects come together in one harmonious arrangement. The next section of the book includes sea creatures from Marley’s Reclamation line (harvested from animals who have died in the wild or in captivity—none of the subjects were killed for the sake of art, but rather, they were elevated to immortality through art following their natural demise). The first photograph in this section is of a single octopus tentacle that is simultaneously haunting and beautiful, the movement visualized in its arrangement mirroring the flow of the seas but also the inherent struggle of life. Later in this section, a banded cat shark composition almost swims off the page glistening from the glossy printing as if still wet. The next section includes Marley’s reptilian compositions. The winding, coiling bodies of the snakes in these pages are mystifying—like anceint Celtic knots. Again, creatures that are typically regarded with fear are here honored as harolds of nature’s enduring beauty. A veiled chameleon in this section is arranged in such a life-like pose, that, in another context, I would think it were alive and stalking some unaware cricket. Marley next addresses the beauty of birds. Some mounts in this section feature the breath-taking beauty of fully extended wingspans while other compositions allow the reader to focus on the nearly microscopic beauty of a single feather. Mounts of finches (reminiscent of Darwin) in this section would be at home in an art museum or a museum of natural history. Minerals and fossils are highlighted in the next section. While still lovely, this is probably the least engaging chapter. While Marley’s signature use of color and symmetry are still present, the life, or imitation thereof, is absent from these pieces. The final section of the book, Unity, is a fascinating departure wherein Marley juxtaposes two pieces that, while completely different have a singular similarity. Birds next to minerals showing the same colors; flowers next to shells with the same shape. Here, the ideas of Marley’s introduction are illustrated through the photography of his work. The connectedness of nature becomes increasingly evident as one turns through the pages of this chapter. Biophilia is more than a glorified catalog. It is a photographic journey of the connectedness of natural forms—a declaration of unity. Marley’s knack for highlighting the inherent beauty of his subjects elevates the mundane to art and the rare to true inspiration. Biophilia is a delightful book that will instill the reader with a sense of wonder.
H**M
Gorgeous
I got this for my sister's family for Christmas. It hss something for everyone. Anyone into biology will love it. Symmetry is a big part of the visuals. For the more artistic there is form & color. Beautifully printed with a sturdy binding.
R**L
Great coffee table book
I loved this book! It makes a great coffee table piece. The best price I could find. If you have ever been to a Christopher Marley exhibition, this is a must have! The pictures and colors are beautiful. It would make a great gift as well.
M**S
Beautiful
Christopher Marley's art is incredible! This makes a wonderful coffee table book. Many people have spent time looking at it when they visit. We saw one of his exhibits in person in Houston and were sorry we didn't think to look for a book then and there. The book captures the beauty and uniqueness of the work as best as possible for a picture to do!
E**L
Great gift book
Amazing book of all kinds of bugs, snakes and others artistically arranged with interesting commentary by the artist.
J**N
Beautiful Coffee Table Book
Hefty book, printed on beautiful white paper. Amazon's look-inside-the-book feature gives good feel for interior illustrations. But having whole hefty book laid out on table and looking at artful facing pages is an indescribably different experience. I have author’s book Pheromones, so insects as subject matter are right up my alley. As to the reptiles, which look rather chilling on the page, maybe that is the whole point. Recently photographed a live active, small backyard rattlesnake that had just swallowed a mouse, and a very different experience than a cold museum specimen. The backyard snake and I quickly went our separate ways, but the book photos left me with a better respect for the artfulness of the Creator of that snake in nature. Which, I think, is the essence of the book, to better appreciate the mystery and beauty of the natural world.
R**2
Gorgeous coffee table book
The book is absolutely beautiful but I was disappointed that the dust cover had a pretty major tear on it.
A**R
Stunning book
Absolutely stunning book. Truly breathtaking. Love it!
C**N
Melhor site!!!
Foi minha primeira compra na Amazon, me surpreendi com a logistica e rapidez na entrega, com todo profissionalismo, eficiência, preço e qualidade. Sem dúvida o melhor site e amei o livro!!! Obrigado Amazon, voltarei em breve!!!!
A**R
Beautiful images
Worth looking at
A**R
Excelente libro pero mal empacado
El libro no merece 5 estrellas sino 20. Es un libro de increíble calidad y belleza visual donde cada página merece ser enmarcada. No solamente contiene fotos de los diferentes reinos de flora, fauna, insectos o minerales, sino que las composiciones son muy originales y armónicas. La estrella faltante no es para el libro ni su autor sino para Amazon o el responsable del envío, puesto que a diferencia de otros libros más modestos que me llegan envueltos en algún plástico, pareciera que este libro ya había sido usado y sin ninguna otra protección dentro de la caja además de las bolsas- burbuja. La camisa del libro llegó algo raspada y doblada de algunas de sus orillas y al interior de la contraportada se mostraba algo sucio. Opino que todos los productos merecen ser cuidados pero un libro como este merece ser enviado con el mismo esmero que el autor y la editorial pusieron en él.
N**S
super
magnifique livre/ emballage endommagé à l'arrivée mais pas le livre ouf!!!
A**D
amazing book by author with extream talent.
great book, amazing pictures. This is an amazing book and the skill shown by the author is unbelievable. To think he has done everything with beetles and butterflies is crazy. The artistic imagination is unbelievable. To think these are all bugs is incredible. Great book and real conversation starter.
Trustpilot
3 weeks ago
1 month ago