Hachi: A Dog's Tale

Hachi: A Dog’s Tale (2009) is a true dog story. No, no — not a bad movie, it’s a great movie, a truly great movie. Truly, and true to the real-life story of a Japanese Hachi-Ko who lived in an earlier century. Truly a dog story, because it is all about a dog, not just about the people who lived with the dog, as most “dog stories” are. If you love dogs, the images of Hachi are irresistible. And a truly great movie, for many reasons. The imagery is simply gorgeous. The acting superb, all around. The musical score hauntingly unforgettable. The screenplay well paced, avoiding over-sentimentality in a story that has to bring tears to the eyes of any red-blooded person. It is a movie that works on many levels. For its purely sentimental plot about a dog who never gave up loving his master, it conveys the story effectively such that any child can enjoy. (And the plot is framed by the telling of the young boy who has grown up hearing the story, and now is telling it to his classmates at school.) This is where its charm as a true dog story is unparalleled. On another level, it is a re-make of the Japanese film (1987) entitled Hachiko Monogatari, which is based more literally upon the life of the original Hachi-Ko. The Japanese film interprets his life story as a morality tale, in sombre tones of reproach for all the failures of human actors who fail Hachi in some way. The American re-make inverts the dark tone, translating it into a kinder, gentler tale. Love abounds in the life of this dog. Half of the film depicts the joyous companionship of the music professor and his dog. The professor and his wife enjoy a happy, loving marriage, and secondary characters are also portrayed in warm tones. An interesting technique is to visualize Hachi’s perspective towards humans in nearly colorless images, whereas the human perspective contrasts in full color. We see Hachi lying in his back yard while the professor’s wife tends to her garden. Hachi watches her. He rolls over onto his side, seeing her image with gravity on one side. Then rolls onto his back, seeing her completely upside down. Is this just to drive home the issue of contrasting viewpoints as it relates to the morality of this tale? Or is it also to reveal how an uncritical mind accepts reality, as Hachi sees it, and not just as a human mind expects to see it? There is a critical scene at the center of the movie, where a Japanese guru-figure reads briefly at the graveside, speaking of a philosophy of unconditional love and unconditional acceptance. I cannot help but see the morality of this film in the context of this scene, which is probably too fleeting (my only criticism of the film). Hachi accepts unconditionally what his master can give to him, limited as it has to be; he sees life just as it is. But Hachi loves totally and gives himself without limitation. The professor too accepts Hachi’s unwillingness to play fetch, no matter how much he wishes for his dog to make him happy in this token way — until the final day, when Hachi seems to have forewarning of his master’s death, and he begs him to stay home and cavorts with him, fetching ball for the first and only time. When the professor falls in an apparent heart attack, he drops that ball he has been holding. At this deeper level, in my understanding of the story, there is again the failing of secondary human characters to fully engage Hachi, in the unconditional terms portrayed in the relationship of Hachi and his master. After her father’s death, the professor’s daughter sincerely offers Hachi a home, but she cannot fulfill her commitment completely. Her family has to come first. At least she has the understanding to give Hachi her permission to leave, to live on the streets, free to live out his own imperative. And so do others, allowing Hachi to do what he has to do. The shift of seasons through the years, the flow of life, passes gently. Only the hotdog stand owner comes close to standing by his promise to look after the dog as Hachi pursues his lonely life, waiting. So Hachi waits, for 10 years, and only in his final moments of transcendental imagination experiences his reunion with the man whom he has always loved and will always love. It is easy for me to transpose Hachi’s morality tale to my own life. I have never lived with a dog, but with many cats. The meaning is the same. Animals are capable of an unconditional love which humans find difficult to emulate. We can only go so far in devoting our lives to them, as they devote themselves to us. It is with that knowledge, and that ultimate regret, that I will leave the rest unspoken.

This film is wonderfully shot, includes subtle symbolism in the scenes (hint: look at the train station decorations and time on the clock near the very end of the movie) and is probably the most pure, simple and emotional movie I have ever seen. I don't understand why this great film was not promoted more and/or did not get a good solid American release. I would not even have known about it unless I saw it on the New Releases for Blockbuster. It was filmed in early 2008, released in Japan in August 2009 ..... then simply placed on the "Direct to DVD" market here in the USA. I never heard anything about this movie even being made until stumbling across it by chance luck. A great and well done movie like this deserved better promotion and press treatment. It is a shame because many people may miss out on this film. I can only guess that budget over runs and limited financing left no money in the budget for advertising after the filming was done ? Anybody know ? Or are American audience now only fascinated with fancy CGI visual effects "eye candy" and no story ? In either case ... This movie deserved and still deserves more attention ! So on to the movie itself ... A tough guy like me does not usually get choked up over movies, but here is one I can recommend to you that will probably touch you. It is based on a true story from Japan ... although this version with Richard Gere has been shifted to USA. Basically this is the story if you don't already know it. WARNING SPOILER BELOW ........ ......... ............ .......... A college professor had a dog that was loyal to him. Each day it would follow him to the train station where he left for work. The dog would run around and do whatever all day long. But at 5:00 in the evening the dog was always back at the train station to meet his owner. This went on for years, One day the dog was waiting at the train station, but the professor never showed up. The professor had died of a heart attack at the school campus that day. For the next 9 years, the dog kept waiting and looking for it's owner at the train station everyday. Other people would try to take the dog home, but every time the dog would run away and return to the train station trying to wait for the professor. He became a local legend and the other people at the train station each day would bring the dog food and water to take care of him since the dog refused to leave his post. Eventually 9 years later the dog died, still sitting at the train station watching the people get off every train, looking for his owner. Today in Japan where this really happened they have a bronze statue of the dog sitting in the train station as a tribute to that kind of loyalty. ......... .......... ......... ......... END OF SPOILER I suppose the reason I found this particular story touching enough to even put a lump in my throat was two reasons .. 1) I have always thought there is something innocent and pure about an animals loyalty and affections that is rare in humans. 2) When I was young and walking to elementary school, my friend had a dog named Pal. He would follow us when we walked the 2 miles to school. He would wait for us all day long. I can remember sitting in classes and looking out the window and seeing that dog under a tree looking at the school building and waiting for us to get out. When we got out of class in the afternoon he would be all excited and come running to meet us and follow us home again. This went on for around 2 years as I recall. But one day when we got out of school, the dog was all excited to see us and came running across the parking lot. We started yelling "NO PAL. STOP" But it did not help. Pal ran in front of a school bus in the parking lot. Now being older and wiser, I look back at this story from childhood and think .......... Yes, it is a cute story about boys and their dogs growing up together. But the real world is not the 1800 or early 1900s of farmhouses, dirt roads and horse & buggies anymore. The world is an urban , mechanized jungle that is dangerous for loosely roaming animals. If people really care about their animals they should not let them run around loose all day long to get hit by cars or other dangers. This is one of those rare movies you see in life that will leave an impression. Well done to everybody who worked on this project !

The original 1987 Japanese version was filled with many ironies and trajectories that seemed to focus more on Hachi's private struggles. In the beginning, after a long train journey in the winter in which he almost dies, from inside the small cage in which he is transported from the breeder to his new home, Hachi as a small 2 month old pup opens his eyes to the hands of the one who would eventually become his sole friend and loyal master. He is fated for yet another journey, a life-long journey filled with much struggle for survival, but again culminating in the hands of his master. Ironies surround the name chosen for him, Hachi, which in Japanese is the number 8 and one which signifies promise and good fortune, even divine favor. It also turns out that Hachi is the 5th of 5 Akita breds that his master has tried to raise. The first four did not survive 2 years, Hachi the 5th is the one that does. The twist is that though Hachi survives well beyond 2 years, his master does not which puts him on multiple trajectories of life-threatening struggle. Eventually abandoned to the streets, one thing keeps him focused in his long journey, his love for and loyalty to his master. His 9 yr search for his deceased master (which actually occurred in the true historical biography of Hachi) drives him into the hearts of a few compassionate people, but mostly into the ire of others. And this is how the original version played out, finally ending in Hachi's dramatic reunion with his master and release from this world with its hardships and betrayals. His loyalty is fulfilled. This later American version is similar on some fronts but different on others: fewer ironies I believe. It focuses more on simplicity, family and community. The film's slow metabolism gravitates more towards Hachi's experience that we might understand and experience how he experienced events and relationships, such that in his simple black and white world salted with simple acts of giving and receiving, the simple truth and sincerity of those acts reveal themselves forming into lasting bonds of friendship, commitment and loyalty. These transactions eventually extend into the larger community in his daily vigils at the town square so that something very uncommon begins to flow out of something that appears very common. The film achieves in depth what it lacks in surface. To illustrate further, at his master's funeral service, words of Whitman's "Leaves of Grass_Songs To Myself" are read aloud by his university associate and friend Ken Fujiyoshi. Ken reads: " I hear and behold God in every object.........I find letters from God dropped in the street, .......And I leave them where they are for I know that others will punctually come forever and ever". For purposes of this film, this might allude to the divine nature of the number 8 (Hachi) in Japanese culture, signifying something rising to and coming down from Heaven to earth, but also to the notion that there is nothing `common', that all is commonly uncommon, that everything has impact from a solitary snow flake descending to earth upon heavenly currents and existing for not more than a moment to a pup that sees and hears in black and white. As the trains themselves are currents in the daily life of the community, Hachi himself becomes a quiet but impactful undercurrent at the station....a memo to the community about the importance of family, faith, friendship, relationships, commitment and loyalty, vitals to the human spirit and social body. And this is where I believe the original Japanese film and the American version contrast. In this version, Hachi's life has more impact in the community. Today a monument to Hachi stands in his honor at the Shibuya station and is one of the most attended sites in Tokyo. The simple but grounded image of the faithful companion resides there an anachronism to the modern time-driven world encouraging pedestrians, viewers and visitors to be more attentive to relationships and things of the human spirit, past and future, with all of their perplexities and uncertainties. Whispers though they be become loud when finally acknowledged. A brief summary of this film's final moments follows: After 10 years, his mistress finally came to terms with her husband's death and returned to visit her daughter, son-in-law and grandson. It was at the end of the year, during the Christmas season, a time for giving. Before going to her family's home, while it was still daytime, she visited her former home, and then her husband's grave. From there she passed by the station where she found Hachiko waiting at his spot, now a much older version, weaker, heavier and in fading colors, but his loyalty never diminishing. He looked tired, even sad, but recognized his mistress and welcomed her. His mistress, surprised, gave to him the affection she had withheld when they were together in those earlier years. In so doing, she was not only embracing Hachi, but also loving her husband. She stayed by his side for the next train after which she departed to her daughter's home. With their family reunited, the circle was now complete, the stage set. Hachi would find Home that evening dying peacefully in his master's arms while faithfully waiting in the same place he had all these years. The sun had set, Christmas lights illumined the station, the air was crisp, and a light snow began to fall as it did 11 years earlier when he found his master. Hachi, having worked his way to the station for the evening arrival, laid at his spot at the front of the circle's edge ( a small circular island overlayed with flowers and a park bench at its center), hoping but with dimming vision. The station, except for a few people departing, appeared empty. Hachi, not finding his master among them fell asleep and began to dream: He saw a brightly lit Train arriving at the station while at the same time began re-living memories of some of his most cherished moments. He saw himself running and walking with his master as they enjoyed their companionship on paths to his home. It was in a warm and brightly lit world cognizant of no end. His master now disembarking the Train as he had always done emerged through the doors into Hachi's Heart where he faithfully gave himself one last time. The circle complete, Hachi found him as he did 11 years earlier, at the station in the colors of beginnings, without mystery. Lunging from himself into his master's arms he freely gave himself as a gift without age borne out of an uncommon bond of companionship, trust and loyalty. Hachi passed on separating quietly, peacefully and seamlessly where he lay. As the falling snow sank into his now still and hollow brow, the Train quietly departed with its lamps fading into the silent cold mists of the night..... This is a very well acted film with a very good script, highly recommended for animal lovers and the sensitive of heart. This is not really a Richard Gere type of film but he demonstrated his versatility with an award level performance. Watch both the Japanese and American versions to compare and contrast. Both are well done...

The film HACHI will forever be in my heart with bittersweet memories of a poignant goodbye to a beloved companion. I will explain later, but first I will give well-deserved praise to a beautiful film that is based on a true story that is a legend in Japan. I bought HACHI months ago but had hesitated to watch it knowing it would be a tearjerker. Finally, I was up to watch an uplifting and inspirational story of love, loyalty and friendship. I know the true story of Hachi and I wondered how a Hollywood movie would translate the Japanese iconic story into an American film. Hachi was the beloved companion to a professor in Japan. Each day, Hachi would go to the train station and patiently wait for his human to return home from work. I won’t give away any details but will say fate intervenes in the lives of Hachi and his human. A story of amazing loyalty and love is born. In the American telling of the HACHI story, Richard Gere is the professor. Some mystical destiny brings the professor and Hachi together. It was meant to be. Here is a delightful and sweet story of a man and dog whose love and respect for each other never ends. It’s refreshing to have a true story about a dog that does not involve any mistreatment or bad people trying to do harm. Every second of this film is about love and kindness. Richard Gere absolutely shines with joy and happiness in every scene with Hachi. It's clear there is chemistry between Gere and the dogs playing Hachi. Unfortunately, the rest of the cast including Joan Allen and Jason Alexander are actually distractions to the film. Allen and Alexander are fine actors but both seem rather limp in this film. It’s the professor and Hachi that wins our hearts. Any scene of Hachi, whether as a puppy or as an adult dog, is precious. And any scene of Gere and Hachi interacting with love and exuberant joy will warm any heart. A beautiful story unfolds of an unbreakable bond between a human and a dog. As I mentioned, I waited months to watch this film. I finally decided it was time to experience HACHI. My elderly loyal German Shepherd named True was at my side as always. Tears filled my eyes when I saw Hachi in old age. I looked at my girl True knowing our time together was slowly coming to a close. Little did I know that end came the very next day due to undiagnosed advanced cancer. After I watched HACHI, I felt the need to give True some extra love, hugs and attention. Fate guided me to watch HACHI that night. I will be forever grateful for the loving last evening with True.

I rate "Hachi, A Dog's Tail" one of the best movies ever made. The film itself was beautiful, including the segments reflecting Hachi's view of things. The setting (Woonsocket RI) was wonderful - I even stopped by to see the station when I was in the area in May. The actors were very, very good. They probably made the movie because they knew it was a great story, while recognizing that it would not be a blockbuster financially. The message related to loyalty is extremely compelling. Finally, the music was outstanding. While most people like Hachi, the movie has some critics that don't seem to understand a couple of the issues related to the story. First, this is an Americanized version of something that actually happened in Japan. Most cultures actually have stories of the eternally loyal dog, and these stories are based on fact. They are inspirational. My point, though, is that since this is a true story, it had to be told pretty much as it happened. Hachi actually did live life as what we'd call a stray, in Tokyo in the 1920's. Second, as must have been the case certainlly with the true Hachi, our Hachi was in fact taken care of by the people who knew him in the area around the train station. This was not a case of Hachi going it alone, digging through dumpsters for scraps to survive. It is a tribute to the community, which was intensely loyal to Hachi. It was reflected well in the sequence in which Jasjeet tells Ken that the people around the station would always take care of Hachi, even to taking up a collection for Hachi if he needed medical help. This is hardly a story of some abandoned dog. And, keep in mind that we're talking about an Akita, a big and hearty dog that's not going to freeze in a New England winter. Third, I would have to agree that the adults in Parker's family were flawed, but that's consistent with what happened with the real Hachi, who was left in the care of Ueno's gardner. In the movie, Kate pretty much fell apart after Parker's death. Andy had so much going on in her life, and probably didn't know what to do for Hachi. I wouldn't have turned Hachi loose, personaly, but I have a different perspective on my dogs. Remember, this is pretty much what happened to the real Hachi, so that was the story. These people weren't evil, they were flawed - as we all are in some way. In conclusion, I believe this movie to be monumental in its significance as a life lesson. It is beautifully made and inspirational. If you're going to show it to pre-teen kids, it might be a good idea to pre-view it yourself, and talk with the kids about it before having them watch it.

Great movie intense for animal lovers

Great movie all around! Based on a true story. The acting is fantastic...as far as the dogs are concerned. I cannot imagine what took to have the dogs play the role of Hachi and go through all the emotions. Some of the work is explained in the extras. Make sure you watch the extras AFTER you watch the movie. Richard Gere is OK but because of his previous roles and his usual mediocre acting (when was the last time that Richard Gere got an award for his acting?) it is hard to imagine him in this role of a dog lover/owner who suddenly carries a ball in his mouth to teach the dog how to fetch. And of course he is a music teacher, not a stock broker from New Jersey or an agricultural scientist like the real owner of Hachi. That is the reason for the four stars. Bruce Willis, Bobby DeNiro or Chuck Norris would be a more credible choice for this type of movie. Especially since it doesn't require much acting since the principal character of the movie is Hachi (the dog). The real Hachi died in 1935 in Japan and his owner, who died from a hemorrhagic stroke in 1925 while lecturing, was an agricultural scientist (not a ...music teacher) at the Imperial University in Tokyo. But of course for a Swedish liberal director/producer who directed all promotional films for the group ABBA, a music teacher is better, more classy(?), and doesn't have dirt on his hands. And of course he is playing the piano! That is exactly why Richard Gere was a poor choice. Don't you hate when liberal directors (mostly from Hollywood) take the freedom to change a true story? This is NOT fiction people, it should be left as is! Simple story, very complicated emotions. A professor adopts a puppy in spite of the complaining of his wife (I think his wife is not represented well by Joan Allen who is quite cold and emotionless throughout the movie). It happens to be a very smart dog that has a huge bonding with his owner and waits for him every day at the train station. When the owner dies suddenly, it keeps coming back at the train station every day for nine years to wait for him. The last third part of the movie (the better part of the movie less people more Hachi) follows the dog's life after the owner dies. Very well done and you will definitely get emotional because of the behavior of Hachi. As a dog lover/owner myself I can tell you that a dog is by far worth any human friend you can have. If you like Richard Gere you will give it five stars if not, don't worry the dogs are making up for the bad choice of the supporting cast.

The Richard Gere-Hollywood Hachi movie is very emotional, heartwarming and delivers a great message of about patience, loyalty and that you should never forget the ones you loved. It’s a quiet story with a lot of texture in its simplicity and it tells the essential story of Hachi returning to the train station for 10 years to wait for the professor. As good as the Gere movie is, it’s a shadow of the true Hachi tale. The real life of Hachi is significantly more improbable, dramatic and truly incredible. One example of the difference is in the opening scene of the American version of the film. It shows Hachi as a puppy being placed in a crate by a Shinto priest and shipped via truck, plane and train and eventually delivered to the fictitious Benbridge train depot. The real story of Hachi’s journey from his birthplace to the Shibuya train station was recounted by the Endo, Teru the sculptor of the famous Hachi statue. Endo remarked, “In 1934, Hachiko's first statue was placed at Shibuya Station. The photo of a relaxed Hachi (above) was taken around that time by the late Isamu Yamamoto, a former bank employee who lived in the Shibuya Ward, Tokyo. Yamamoto's family found the photo and presented it to Ando who sculpted the Hachiko statue we see today. “I have never looked at such a photo that caught the atmosphere of Hachiko’s everyday life at that time so well,” Ando said. “On Hachi's birthday, I think back to the first months of his life. I can imagine a plump squirming puppy playing with his four male siblings in a barn. Hachi was born on a farm in snow country- Odate, Akita prefecture- to a wealthy landlord farmer. At two months old, he was gifted to professor Ueno Hidesaburo from a former student. On January 14, 1924, Hachi was placed in a small tightly-knit straw crate for his journey. Straw crates were heat retaining and also used to carry rice. Three people walked 12.5 miles to Ōdate Station, carrying Hachi in the midst of a snow storm. Hachi departed Ōdate Station at 3: 20 PM and scheduled to arrive at Ueno Station in Tokyo at 8: 50 AM the next day. In that blizzard, Hachi left his birthplace never to return. The Ōdate-Ueno route ran through a series of mountain ranges, and included one of the steepest approaches to a pass for trains in Japan. The train climbed up and down mountain peaks and passed through numerous tunnels. The train oscillated wildly and the locomotives gave off thick soot. It must have been a terrifying experience for the two-month old puppy. He was separated from his mother and siblings, carried outside in a blizzard, and sat in a crate on a bumpy train for 20 hours. On the day of Hachi's arrival, the newspapers reported that Tokyo was hit by a strong earthquake, by a windstorm, and a sandstorm was blowing over the capital city. People thought Hachi was dead when he arrived.” Queisse, I’ve thought a lot about the story over the past year. One day it dawned on me that Hachi is much more than a sentimental story. It’s actually a metaphor for the human predicament. Hachi spent most of his life mourning the death of his beloved master, Professor Uneo , a renowned agricultural engineer. (In the Richared Gere movie it was Parker Wilson a music professor). If Hachi did not comprehend Ueno’s death, Hachi lived most of his life missing him. Hachi lived with with Uneo for only a year and four months. These were Hachi’s happy times. After Uneo’s death, people saw Hachi walking with his head down as if he were sad and depressed. He did not wag his tale. This unfortunate life of Hachi paradoxically created the legend of the loyal dog Hachiko and Hachi became a permanent fixture of Japanese popular culture and the amazing story spread throughout the world.

Excelente película si te gusta el género y buen servicio de entrega.

C'est un très bon film mais je ne peux pas le regarder sur mon lecteur DVD vu qu'il viens d'Europe et je n'ai pas de code

Awesome movie have a box of tissues you will cry in the end.

Hachiko. Film stupendo. Ma che dico, meraviglioso, toccante, indimenticabile. Chi ama gli animali e in particolar modo i cani non puo' restare impassibile davanti a questa storia. Sceneggiato alla perfezione e recitato perfettamente da Richard Gere e Joan Allen. Un film che è un colpo al cuore. Com'è noto, la storia è basata su fatti realmente accaduti ma ciò che il regista e l'intero cast sono riusciti a fare al meglio è trasmettere le emozioni non solo dei personaggi umani ma anche dei protagonisti a quattro zampe, si perché Haci lo vediamo cucciolo, poi adolescente e anziano. Ho pianto come un bambino durante la lunga straziante sequenza finale. Haci che si addormenta e rivede il suo amato padrone. Pochi film riescono ad emozionarmi così tanto. Potessi darei 10 stelle. Grande plauso va anche alla colonna sonora, una musica bellissima e struggente che tocca l'anima di chi ama la natura e gli animali tutti. Il messaggio potente che questo film ci lascia è che l'amore tra un cane e il proprio padrone può essere indissolubile e superare perfino i confini dell'esistenza terrena. Ed io ci credo, credo che nell'aldilà potremo ritrovare in Dio anche le creature che ci hanno fatto compagnia in questa vita. Qualità video e audio eccellenti. Spedizione velocissima.

Excellent picture quality and quick delivery by Aum Entertainment. Great experience.