Cranford (Penguin Clothbound Classics)

Let me begin this review by saying that if you are thinking about reading this book only because of the BBC series, you will find it very disappointing. The makers of that series used the authors name, the title of the book and some of the characters but the remainder of their production is pure invention. I am enjoying watching the BBC program, but it is not this book.Ms Charlotte Mitchell provides an Introduction and Notes for this book. It is my belief that it is essesntial to read the Introduction in order to fully understand Cranford. Elizabeth Gaskell had written a series of stories which appeared at irregular intervals in a magazine edited by Charles Dickens titled Household Words. The stories first appeared together as a novel in 1853. Ms Mitchell uses the Introduction to explain the chronology for the publishing of this and other novels by Elizabeth Gaskell. She also takes this opportunity to explore the question of whether or not Cranford was ever meant to be taken seriously by readers of Ms Gaskell since her other novels are so very different in tone from this one.One of the things I really appreciate which Ms Mitchell did was to include the Notes section to explain words and phrases which appear in the book which were very well understood in the 1800's but which may be unfamiliar to readers today. I read a lot of historical romantic fiction and these Notes gave me concrete explanations for words and phrases I have been too lazy to research for myself. I thought I knew what they meant before, now I know for sure. Items such as:1. gigot - a sleeve style described as leg-of-mutton2. baby-house - a dolls house3. sarsenet - a soft thin silk material4. blind man's holiday - a proverbial term for night or twilightMs Mitchell states in the Introduction that Gaskell later came to regret the fact that she had caused Colonel Brown to be killed in the first story. If he had remained a character longer in the series, I think that Cranford might have gone in a very different direction. As it is, Cranford is the story of a certain class of women, either unmarried or widowed, who live in a small English villiage. The main character is Miss Matty Jenkyns who only comes into prominence after the death of her older sister, Miss Deborah. The women relish their lack of male inhabitants and see themselves as lucky in not having to deal with the ways of men, which they see as uncouth and almost barbaric (they will speak too loud!). There is a very strict social structure among these women, even as to what time of day they can visit each other and what kind of clothes they should be wearing when the visits take place. These rules are in place to keep everyone on an even keel, so that everyone understands the rules, and no one may change the rules without the approval of the most prestigious ranking member of their set.Cranford is a study in contrasts. The differences in the male approach to the world, with their freedoms, and the female approach to the world, with all the restrictions placed upon them. I can honestly say that I had fun reading this book. I grinned, smiled, chuckled and even laughed out loud. No episode was too tiny to cause a complete, unrealistic upheaval among the ladies of Cranford. One of my favorite parts of the story concerns how they all react when rumor and half-truths have them convinced that a gang of thieves and burglars are roaming the countryside. It is funny and heartwarming but also sad to see the lengths they go to in order to protect themselves and their households from these thieves who are, in reality, simply the result of gossip and overactive imaginations. Another part I am particularly fond of is when the main characters allow themselves to unbend to the extent of divulging to their friends what their worst fear is. Miss Matty revealed that she was afraid each night that a man was hiding under her bed. Her method of reassuring herself that no person was there was actually quite astute and surprising for this woman's character. But Cranford is not all warm feelings and quaint happenings. There are real tragedies which effect these women and move their lives into totally different directions.This book is told in the narrative style, something which I usually do not like. There is very little dialogue. The name of the narrator is not even mentioned until page 137. I had read the persons name in the Introduction but I was very surprised to see that this type of presentation did not detract from my enjoyment of the book at all. It is not the most exciting book I have ever read, it is not a very long book, and it does not require much stretching of the readers intellect but I enjoyed all of the time I spent reading it and will certainly read it over and over.Very highly recommended for any reader who enjoys historical fiction. It is not a romance, more a journal of the everyday lives of women who depend on themselves and their friends for comfort and companionship.

This is a wonderful view of village life in mid nineteenth century Victorian England. Told as a series of interlocking vignettes over time, based upon the observations of Mary Smith, a frequent visitor to the village, it paints an indelible portrait.The narrative focuses primarily on how a group of genteel ladies, mostly widows and spinsters, live and pass the time, constrained by their means and the social mores of the time. They are a quite insular group, narrow in their beliefs and world views. Yet, a number of them are quite kind and mindful of doing what is right, albeit within a most narrow and socially acceptable recourse. Still, there is the occasional breakaway moment that causes consternation within the group.The book provides a very interesting and well-written bird’s-eye view into what English village life was once like. I saw the BBC adaptation based on this book a number of years. Now, having read the book upon which it was based, I will revisit the BBC adaptation, which I loved.

This Viking edition includes "Mr. Harrison's Confession," "Cranford," and "My Lady Ludlow," the three novellascombined to produce the Cranford BBC series. The works are quite different from each other, "My Lady Ludlow" differing the most in tone and style."Mr. Harrison's Confession" is the droll account of a young doctor who comes to Dunscombe (a Cranford stand-in) to practice with the much older Mr. Morgan, an old friend of his father's. As young Harrison makes the transition from the lively streets of London to the quaint lanes of the little town to which he has moved, he is involved in many humorous misunderstandings--and especially troublesome are those caused by a prankster friend of his! There are poignant moments too, as Mr. Harrison and the townspeople learn to know each other, and the young doctor finds love."Cranford" is the most fully fleshed out of the three novellas, and easily the most readily absorbed by the modern reader. To one who grew up in New England of swamp Yankee parentage, the mindset of the Cranford ladies is completely familiar. Why care about dress when everyone in your town knows what clothes you own, and why care when you are away where no one knows you at all? The various subplots of the story are very reminiscent Sarah Orne Jewett, who wrote a few decades later in the US--"The Country of the Pointed Firs," for example. The novel comprises several interlocking stories centering on Miss Matilda Jenkyns, her family and her friends who inhabit the little town of Cransford--a town of Amazons. Very few men live in the village. Though many of the stories are humorous, there are those that touch the heart."My Lady Ludlow" is the most old-fashioned of the three novellas--set decades before the others at the beginning of the nineteenth century, and full of sentiment. Lady Ludlow, herself in old age, must learn to change as the world around her does. The story, narrated by a young woman in frail health, from the vantage point of later years, contains a lengthy and melodramatic subplot reminiscent of "A Tale of Two Cities.""Cranford" is a wonderful piece of work, and the other two novellas are very enjoyable. Especially if you liked the BBC series, you'll enjoy this book.

Elizabeth Gaskell is a brilliant writer. The characters dance on the page and she paints a wonderful picture of the gorgeous Cheshire. It evokes a real sense of the effect of the coming of trains and the impact of the industrial revolution is almost tangible. Read it people!

The condition of the book received is excellent. The coloured cover of the book a bonus.The first line of CHAPTER 1 -our societyis interesting....'In the first place,Cranford is in possession of the Amazons;all the holders of houses above a certain rent are women.'As a collector of books I do not always read complete books upon receipt.The Biography of Elizabeth Cleghorn Gaskellis interesting and in September 2010 a memorial to Gaskell was dedicated in Poet's Corner in Westminster Abbey,in the form of a panel in the Hubbard memorial window,above the tomb of Geoffrey Chaucer. The importance of windows is sometimes overlookedas other tombs and inscriptions at lower levels first catch the eye.

This is a gentle tale of a long-gone way of life. It is beautifully read, and I enjoyed it very much. The style is naturally old-fashioned by today's standards, but there is humour in the content. I found that it helped to have seen the recent TV production starring Judy Dench, Imelda Staunton and many other famous actors, as I could picture them in my mind's eye as I listened, but if you are fond of writing from a bygone era, you should enjoy this too. The story gives an insight into life as it was in the mid 19th century, with its petty rituals and prejudices, so if you are offended by old fashioned class structures, this may not be for you!

This book was all I hoped for and more. The characterisation, the humour, the wonderful first person approach all adds together to make a perfect escape from 2022.Personally, I found the biography a little hard going,but I am sure many would find it most enlightening.

A wonderful, lighthearted, highly entertaining and heart-warming book set in a mid 19th century English small town (most likely modelled on Knutsford, Cheshire). Cranford is full of great characters - many highly eccentric - all struggling to maintain the standard of gentility of a by-gone year, without the means to do so. The lengths to which they go to preserve the veneer of prosperity and their 'place' in Cranford society provides much of the humour of the book which is superbly read by Prunella Scales. If you are needing your spirits 'lifted', Cranford is the book for you.